National Repository of Grey Literature 4 records found  Search took 0.01 seconds. 
ACTIVATION OF SPECTATOR
Jedinák, Boris ; ADÁMEK, Jiří (advisor) ; LJUBKOVÁ, Marta (referee)
Boris Jedinák’s bachelor thesis deals with the tendency of an activation of spectator through analysis of performances realized during 60´ in USA (by The Performance Group and The Living Theatre), the performance by Augusto Boal which implies methods of the Forum theatre, and through contemporary Czech performances (YOU ARE HERE by Petra Tejnorová, Busking un/limited by Linda Straub and Pomezí by Lukáš Brychta). Author reflects his own projects realized during his bachelor study on KALD DAMU where spectators were supposed to accept an active role during the process of reception of a theatre piece.
Encounter of two worlds
Křížková, Karolína ; SOPROVÁ, Jana (advisor) ; CAPKO, Štefan (referee)
The aim of this bachelor thesis is to introduce the production of Forman brothers Forman and transformation of their work from atypical spaces to the official scenes. The functioning of this transformation is described in projects: La Belle et la Bete/Beauty and the beast, A walk worthwile, Čarokraj and Hansel and Gretel.
Scenography of a musical theatre. Opera, composed by B. Martinu and G. Neveux, "Julietta" - a complex scenographic project
Brotánková, Anna ; DUŠEK, Jan (advisor) ; GLOGR, Karel (referee)
The goal of this thesis is to comparatively analyse, on theoretical level, Bohuslav Martinu?s manner of viewing musical work in connection with his scenical theatre pieces. Major focus is on composer?s notes and ponderings on then-common opera arrangements, and on the meaning of opera itself. The paper compares his style with contemporaneous tendencies of surrealistic avantgarde in scenography. Moreover, it addresses the portability of surrealistic principles onto stage, their dramatical potential, and different approach of leading czech representatives of surreal avantgarde towards this issue. Second part of this thesis discusses and interprets opera Julietta (Snář / Dream Book), and investigates possibilities of its scenographic and costume arrangement.
THEORIES OF THE AVANT GARDE AS FOUNDATION OF A THEATRE PRACTICE
Ryabets, Olga ; MIKEŠ, Vladimír (advisor) ; ŽIŽKA, Tomáš (referee)
Abstract The work outlines several key aspects of the theatrical avant garde - namely the work of Richard Foreman, Mary Overlie and Stanisław Ignacy Witkiewicz - in relation to the artistic development of the author over the past two years with detailed examples of practical work (The Water Hen, The Foreman Notebooks Workshop and Rotten Kid Dong Sells His Ma).

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